I just wanted to pass along a few more resources which provide helpful information on "what" Synthesizers are and "how" the various components can be used.
Before I do that, I want to mention something I haven't heard anyone talk about… "Patch Cables" and, specifically, "how many" Patch Cables should you buy?
There is no mathematical formula to this question. However, the rule-of-thumb would be "more is better". My very loose guideline for "how many" to buy would be:
Again, this is not a locked-in-stone way of approaching this.
Yes, you can count the "Patch Points" (Cable-connection "holes" / "sockets") on each Module, and buy THAT MANY Cables, but that doesn't really work. In most cases, buying that many Cables would simply give you a LOT more Cables than your Synthesizer would ever be able to use.
Right now, we have 61-Patch Cables… BUT, combined, our 3 Synthesizers (ARP 2600, Behringer Neutron and a partially completed Eurorack Synth) contain 280-Patch Points. So, of course, we still have "Patch Cables" on our "buy more Eurorack items" list.
Patch Cable Length
In a previous Post, I included a link to a "helpful tips" video by Robin Vincent.
Here's that link:
One of the things he learned, when performing Live with his Eurorack Synthesizer, is that he used short Cables whenever possible. The downside to this, he discovered, was that these Cables not only blocked the Modules they crossed (which they always do) but their tightness made it difficult for him to easily get his fingers through to the Knobs and Switches.
Instead, it may sometimes be a good idea to use longer Cables and have them droop down and away from most of the Modules you'll be using in that Patch.
Patch Cable Colors
When I took Synthesizer Lessons in the 70s, Patch Cables were only available in "gray". (That's all "I" saw, anyway.) Today, there are LOTS of colors to choose from and there are 2 types of Synthesists, regarding which colors to buy:
This really comes down to "personal preference". For "us", even though Sylvia loves "Purple", we do our best to select as many different colors for each Patch as we can.
When using a single color for an entire Patch, it can be continually frustrating, when you have to keep following and re-finding where each Cable goes, just to tweak something "quickly".
It's "sometimes" possible to use one color for "Modulation" (Envelopes, LFOs, etc.) and another color for "Audio". Let's say "Red" for Modulation and "Green" for Audio. However, there are 2 problems with this approach:
Here are a few articles and videos where you can find a lot of helpful information on understanding Synthesizers (in no particular order):
This article is titled: "What are CV, Gate and Triggers, and how do they relate to semi-modular synthesis?"
The following article is titled: "Synth Terminology And Basics for Beginners". It covers:
Here's the link to that article:
Here's the link to a Robin Vincent video titled: "Molten Modular 15 - Discovering oscillators with the Make Noise STO".
Here's another good video by Robin Vincent. This one's titled: "Molten Modular 24 - Discovering Envelopes featuring TINRS Edgecutter".
Here's Robin Vincent's main YouTube Channel:
Modular Grid: The best place to go for "all things Eurorack related".
Of course there are LOTS of other sources of information online. Even with all the information and links I've provided here, there are still a few facets of Synthesizers which were not mentioned in the above articles and videos, such as:
Music Columnist and Synthesizer explorer, Robin Vincent, has created a video titled: "25 - Top tips for performing live with Eurorack".
A day or 2 before, he had performed with part of his Eurorack Synthesizer in a local restaurant in England, where he's from. During that performance, he realized several things which he hadn't planned for. So he created this video, in order to pass this valuable information on to others.
Here's the link:
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